E320M, 30395, SPRING 03, CA-SW

19th c. Literature, Architecture, and Art

Jerome Bump, SWC, Computer Assisted

TT 9:30-11 Par 102;

office Par 132: hours TT 10:45-12:15 and by appointment

bump@mail.utexas.edu;

http://www.la.utexas.edu/users/bump/E320M/

Office phone: 471-8747, home: 267-7884

[Fulfills English Major requirement for Comparative or Interdisciplinary Course]

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We will explore our senses of place and space, with special emphasis on the 19th c. concepts of “Truth to Nature” and “Gothic.” The basic method of the course is discovery learning, learning by doing. Therefore, some class meetings will be outside, devoted to observing, drawing, and writing about buildings and works of art, while those in the classroom will focus on the literature which encouraged them and, via the internet, the European buildings that inspired them. We will meet at buildings on campus (such the Littlefield house) and off campus (such as St. Mary’s cathedral and/or St Edward’s Main building, both by Nicholas Clayton). We will also meet at the Humanities Research Center to examine the art of Rossetti, Morris, Burne-Jones, and others.

Students should be prepared to think for themselves and for a lot of writing. Discovery learning means that there will be fewer instructions for subjects of projects than what students may be used to from other courses. This can be frustrating for some, especially those who want a detailed formula that will guarantee them a good grade. Instead they will have maximum freedom to be creative, to be individual, and to write about what is important to them. More features of my teaching philosophy can be seen at my web site.

Grades. Approximately 50% of the final grade will be determined by the writing projects (15% for each first draft, 10% for each revision), 20% by class participation, and 30% by the final portfolio of all your writing. Though the administration penalizes instructors for “grade inflation,” I do not grade on a curve. I am convinced that far more learning occurs when each student has the potential to get an A in the course. On the other hand, students will receive exactly the grade recorded in the online gradebook, even if it is one point short of the next higher grade. Grades will be reduced for each class day assignments are late.

Projects. We will create multimedia writing projects on paper or on the web about our responses to literature, architecture, art, and music. Projects can be written for different audiences and from different points of view, from autobiography to scientific observation. (One option will be to compare an example of Texas Gothic architecture with Ruskin’s essay that inspired it and with various European buildings recommended by Ruskin and Adams.)

Class participation consists of showing up in class on time, having read the material assigned for that day, and being prepared to talk about it. Students are encouraged to hand in journal pages about the readings assigned in the syllabus for that day before class starts. In any case, it is important to share in class: one of the goals of the course is better spoken as well as written communication. Our primary concern is not organized discussion of a topic, as in a speech contest, but rather each individual learning to speak about feelings as well as thoughts, and each individual learning to listen, concentrating when others are speaking.

Learning Record. Part of the grades for class participation and the portfolio will be based on Learning Record (LR) entries, encouraging students to set their own goals and become aware of their learning styles and obstacles. The LR will include a personal narrative, an interview with someone familiar with your intellectual development, a series of self-observations, and short interpretive essays written at midterm and semester's end.

Texts: Jay Silverman, Rules of Thumb: A Guide for Writers (5th ed.) and a collection of xeroxed materials selected from Norman Crowe, Nature and the idea of a Man-made World; John Ruskin’s The Nature of Gothic and Bible of Amiens; Henry Adams’s Mont-Saint-Michel and Chartres; and other sources, to be purchased from Jenn's, 2200 Guadelupe (basement of the Scientology building at 22nd), 473-8669.

Computer literacy required. Students should be familiar with keyboarding, operating systems, word processing, electronic mail, and web-browsing. Students will also need an IF computer account. Students will be expected to check their email frequently (maintaining the correct email address in the U.T. Direct system) along with the Discussion Boards and Online Gradebook of the U.T. Blackboard system. At times we will use networked computers to examine buildings in England and France; to achieve more collaborative class discussion; and to provide more feedback about projects. Students are encouraged to download pictures from web sites and use multimedia to fulfill all the writing requirements and ultimately hand in everything on one web site or CD which they will retain at the end of the course. Even if a traditional essay format is chosen for projects, pictures must be inserted into the essay and text wrapped around them.

HTML. Only one class will be devoted to how to copy and modify HTML templates; afterwards, if students are going to do web projects, they must have or acquire basic HTML skills on their own in the first month. Multimedia project students should expect to spend a considerable amount of time outside of class, sitting in front of a computer, and may also find it useful to attend some of the free classes and workshops on various technical topics offered by ACITS, TeamWeb, or the General Libraries. See

http://www.utexas.edu/computer/classes/

http://www.utexas.edu/cc/training/handouts/tutorials.html#internet


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