updated 9/18/09
"Only connect! . . .Live in fragments no longer.Ó E. M. Forster, Howards End (1910), ch. 22
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E 603A 34190
250 POINTS AT STAKE: 50 for peer critiques; 180 for P1 itself; 20 for the website with index which accompanies the final hard copy.
PENALTIES: for not putting your P1 hyperlink on the Blackboard DB by 11 AM on Tuesday, Sept. 22: -20 per day until Sept. 25. After that date project will not be accepted and the student is advised to drop the course. (The project will not be accepted if it does not end with an accurate word count, not counting quotations. Also, the project will not be accepted if the word count is not at least 1400 words after subtracting quotations.)
TWO BASIC OPTIONS: [1] WHO ARE YOU? [2] LITERARY ANALYSIS [1] WHO ARE YOU? THREE OPTIONS WITHIN THIS CATEGORY: [1A] YOUR IDENTITY ACCORDING TO YOUR PSYCHOLOGICAL
TYPE: a major revision of your writing sample, including a section on
how your type relates to that of the teacher and what that means for the
grading of this essay. [1B] YOUR IDENTITY BASED ON YOUR PERSONAL
TOTEM ANIMAL: (A.K.A. Your "Patronus"* for Harry
Potter fans) [1C] SOME COMBINATION OF THE THESE TWO *Expecto Patronum:"The conjured Patronus
protects the witch or wizard that summoned it, obeys his or her commands,
and fades away shortly after it is no longer required.....A full-fledged (or
corporeal) Patronus takes on a fixed animal form that is often significant
to the witch or wizard casting the charm......Suggested etymology: Expecto
Patronum is correct classical Latin for "I await a protector".
It is related to "pater" (father) and Harry's Patronus indeed takes
the same form as that of his father's animagus form (a stag)." http://en.wikipedia.org/wiki/Spells_in_Harry_Potter [1B] WHO ARE YOU? BASED ON YOUR PERSONAL
TOTEM ANIMAL: see pp. 414-425 in our anthology, and, as background, pp. 433-481. [1]
You must include at least two quotes from this material. [2] You
must also listen to the guided
imagery on this topic that is listed as "Animal Quest" in our Course
Documents folder on our Blackboard site (it will appear after all the
other documents). Even if you don't agree with it, you must include in
your project an account of your experience of doing this guided- imagery
totem-animal vision quest. [3] If you want to supplement
this experience with an internet quiz look at a number of them and pick the
most detailed, comprehensive one. If you use this quiz in your choice of
totem animal, you must include as an appendix a copy of the quiz (not included
in your word count). Here
are some examples of some informal discussion board entries on this topic: Josephine David Sara Justin Jason Kelsi These
are just a few paragraphs and too often based primarily on unreliable, all-to-brief
internet quizzes, but they might help to get you started. [2] LITERARY ANALYSIS Following the prescribed format listed below, analyze one
of the following texts in terms of leadership, ethics, and/or treatment
of animals and be prepared to present your results in class this semester
or next: both Alice books; all of
Derrida's writings about animals; one of Peter Singer's books; Newman, The
Idea of a University*; Jude
the Obscure*; Do Androids Dream of Electric Sheep?; How
Can I Help?; Siddhartha; Black Elk Speaks; The Bluest
Eye; Woman Warrior *(not just the selections
in our anthology) --------------------------------------------------------------------------- REQUIRED ORGANIZATION FOR OPTION TWO: [1] An ÒIntroductionÓ in which the author briefly states
the present position of research on his/her subject and the views currently
held on it. (Apparently very little has been written on any of these
three themes in the Alice books; Newman's book; How Can I Help?; Siddhartha; Black
Elk Speaks; The Bluest Eye; Woman Warrior. Apparently very little
has been written about leadership or ethics per se in Jude the Obscure* or
Derrida's writings about animals. Apparently very little has been written about
leadership and Peter Singer's books and Do Androids Dream of Electric Sheep?) [2] The Proposal in which s/he describes in advance what
s/he hopes to prove. [3] The Boost, in which s/he explains the significance
of this essay not only for our understanding of the specific subject upon
which it is focused but also for subjects of more general interest to all
readers, or at least all students in the course. [4] The Demonstration in which s/he sets forth the discovery
or argument in a concise, orderly fashion. [5] The Conclusion
or in which s/he suggests its implications
for wider fields of knowledge, connecting with other assignments in the course. FOR ALL OPTIONS: How to be creative yet still meet the requirements:
you can use footnotes. Lauren, for example, is writing a drama, but in her
first draft it is not clear to me how various sections fit or relate to the
requirements. One way to solve this problem is put the explanations (and
relevant quotes) in footnotes. That way you do not disturb the flow of the
story but still meet the requirements. Detailed
criteria for your Blackboard version here. Note that the
first three criteria focus on the unity and coherence of the essay. This
may be quite a challenge, especially if you choose option 1C, probably if
you choose option 1A, and perhaps if you choose more than one animal for
option 1B. One way to increase the chance for coherence is to accept the
idea of multiple roles and models of the self as Ram Dass defines them on
pp. 252-273 of your anthology. He includes the unifying vision of "The Witness"
looking down from a mountaintop, the awareness behind your thoughts, that
may help you increase the coherence of your essay. Reading
Dass now will also prepare you for next semester when we take up his book, How
Can I Help?,
from which the selection in your anthology was taken. LOOKING AHEAD: Detailed
criteria for your print version here (to be turned into the instructor).
Writing Center: I strongly encourage you to use the Undergraduate Writing Center, FAC 211, 471-6222. The Undergraduate Writing Center offers free, individualized, expert help with writing for any UT undergraduate, by appointment or on a drop-in basis. Any undergraduate enrolled in a course at UT can visit the UWC for assistance with any writing project. They work with students from every department on campus, for both academic and non-academic writing. Whether you are writing a lab report, a resume, a term paper, a statement for an application, or your own poetry, UWC consultants will be happy to work with you. Their services are not just for writing with "problems." Getting feedback from an informed audience is a normal part of a successful writing project. Consultants help students develop strategies to improve their writing. The assistance they provide is intended to foster independence. Each student determines how to use the consultant's advice. The consultants are trained to help you work on your writing in ways that preserve the integrity of your work.
9-22 Peer Critiques begin. 9-26 Last chance for Peer Critiques or -50 points